Pandemic Papers

Pandemic Papers is an experimental archive. The project logs my feelings within the context of the headlines, painted on the Sunday editions of my local paper, The San Francisco Chronicle. The project consists of over 40 paintings ranging in size from 8’ x 10’ to 1’ x 1’ created from November 2019, when COVID first appeared in Wuhan, to July 2021, when San Francisco finally retired its emergency order (hopefully?). Pandemic Papers gave me a way to store and recall my own personal experience of the pandemic despite my long term memory loss due to my brain injury.

The pandemic changed a lot about our lives and world so it makes sense that it would also lead to a major shift in my work. This is the first time in my practice I turned to painting as the critical tool for understanding the world. I have long been resistant to the medium but when used in relationship with the weekly churn of the newspaper it gave me a new way of finding where, when, who and how I was within that timeless time.

Genealogy

Genealogy is a hand-made book made using a reclaimed binder and transparencies. Starting at the back of the book I drew images on one side of each transparency with each new image created in direct reference to the image/s that came before it. Looking at any page the transparences allow you to see backward and forward in the stack only a few pages as soon they disappear behind the hazy of the plastic sheets themselves. Flipping thru the book from the beginning takes you back in time and back thru a lineage of ancestors.

Norfolk Artist Residency

In November of 2019 BlinkPop was invited to the Norfolk Artist Residency, hosted in a large barn in semi-rural Massachusetts. While there they focused on experimentation in a large scale installation using twine and paper party decorations. They built up large forms in a central installation, played with incorporating studio infrastructure, used the packaging from the decoration to create translucent volumetric drawings, and documented both the construction and the choreographed death of each of the pieces.